Maybe some day we’ll all be swinging Chanel bags with our Tesco bags

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Image courtesy of http://myfashionjuice.com/

AS fashion iconography goes, this is the Godfather; quilted leather, gold double-chain strap and the interlocking ‘c’s on the front. The Chanel 2.55 handbag. Starting price £1, 200, it epitomises the ethos of designer luxury; elite and inaccessible to the masses. God bless you if you have one.

Most of us reluctantly bypassed the expensive 2.55, instead longing after pictures of Jackie O and Kate Moss, with the coveted accessory swinging from their celebrity shoulders. We shuffled sadly into the supermarket clothing aisle.

Until recently, designer and high-street fashion were separate entities with distinct purposes; the former served the rich, the latter served the rest. It took the high-street over 50 years to see the glowing pound signs around replicating designer pieces. Now, girls walk along the high-street, own-brand quilted bags swinging from their shoulders, without the designer logo and without the designer price-tag.

Chanel 2.55 look-a-likes were just the beginning of an enterprise which has fundamentally changed the face of the fashion industry. Interpreting high-priced designer luxury has become the means for the high-street to survive.

Things intensified in November 2004. Karl Lagerfeld designed an exclusive collection for H&M and, at once, the designer/high-street collaboration was born.

Stella McCartney followed. Viktor and Rolf jumped onboard. Roberto Cavalli, Matthew Williamson, Jimmy Choo and Lanvin also seized the opportunity.

Last month, hysteria mounted in Belfast city centre as Versace became the latest name joining the H&M collaboration archive. Dozens queued outside the Royal Avenue store long before its 9am opening.

“A lot heard about it through the mobile phone app and adverts and the first batch we let in was 20 – but there were at least 30 outside when we came in” Deborah Livingstone, floor manager, told the Belfast Telegraph.

Customers entered the shop in small batches, were allocated wristbands and allowed 10 minutes to purchase any items. Many were left disappointed but for the lucky shoppers, this was a chance to wear real designer clothes on a budget. (Well almost – the cheapest Versace for H&M dress still costs £79.99.)

The recession has bred a necessity for fashion to become inclusive and attainable. H&M has answered the prayers of those who just longed to hold haute-couture in their hands, whilst also increasing its own sales. Designers too have reaped the rewards of attracting a more mainstream customer base and widely communicating their signature styles, beyond the catwalk.

However, as these entities continue to merge, we’re left looking at the birth of something beneficial but potentially confusing. It starts with the luxury appeal of designer fashion becoming diluted, continues with an uneconomical high-street and ends with both sides compromising their unique selling points.

Nevertheless, as revenue increases on all fronts, the great collaboration wave gains momentum. Just last week H&M announced their new collection from Marni and, no doubt, have more big names in the pipeline.

The two faraway worlds of high-street and designer, long occupied the same industry so perhaps a hybridisation was always inevitable. Maybe some day we’ll all be swinging Chanel bags with our Tesco bags.

 

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About Author

Lana Richardson is a trainee journalist currently undertaking the NCTJ (National Council for the Training of Journalists) course at Belfast Metropolitan College. Educated at Portadown College, Lana currently hosts her own fashion blog which was nominated for a 2011 Northern Ireland Social Media Award (http://www.thestylecave.info). Lana is multi-lingual and has contributed to various international online magazines.

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